MESSAGE FROM THE AUTHOR:
What I did to make the video was to first capture images of Ursa from certain scenes in the movie and overlapping them with others. I had to basically cut and paste images using a Photoshop program and reinstall them into different background scenes frame by frame with the use of a Dell video software program called Movie Studio.
All of the laser, shrinking, freezing, ect, scenes that were added, were done with Photoshop, frame by frame. Needless to say, it was a painstakingly long process. For certain scenes, like when Ursa throws the column, and when she pulls the soldier through the window, and when she first breaks into the building through the glass skylight, I merely pasted her face over the images of Zod and Non, with a little trimming done to their bodies to make their proportions look a little more feminine. (However, I was not very happy with the way the ‘pulling the soldier through the window’ scene turned out. If I had more time and patience, I would have matched the color tone a little better between the head and body.) In the scene where she throw the Agent that wet his pants through the air, the images of the man flying backwards was taken from another one of Sarah’s movies, Beastmaster 2. If you notice, the red alarm panel that was emitting the siren was actually taken from the Death Star in Star Wars.
In order to create the audio track, I used a program called Creative Wave Studio to cut and blend the audio to match. I took sound files from several other movies and blended them together to create some of the sound effects, although most of them were from S2.
In order to be able to email the file, I had to compress it (reducing the image area, video and sound quality) to about 6Mb. The original file that I have is approximately 750Mb, with an image area about 4x larger and an obviously much better video and sound quality.