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Thanks to Hiphats and Bill Williams
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"Superman The Movie was released on 15th December 1978 in America.
Richard Donner's initial cut ran just over three hours (this is confirmed
by a 1981-82 issue of Starlog Magazine), and it was possibly the version
John Williams recorded his legendary score to.
When the TV rights to "Superman" reverted from Warner Bros.
to Alexander Salkind in 1981, the door was open for the Salkind company
to create a version for television unlike what the public saw in theatres.
Salkind prepared a 3 hour, 8 minute version (which we'll call the "Salkind
International Extended Cut") for worldwide television release, with
45 minutes of unseen footage and additional music by John Williams, all
of which was deleted from the 1978 theatrical version. Stations and networks
around the world could then re-edit this version at their discretion.
The first network TV broadcast in the U.S. was in February 1982 on ABC
(which had a contract with Salkind for the television rights to his films).
ABC's 3 hour-2 minute cut of Superman originally was broadcast over two
nights. On the first night it premiered, the film stopped when Lois Lane
was falling from the helicopter (the picture froze creating a cliffhanger
ending part one)...the next evening, there was a re-cap and the film continued
to the end. This expanded version was repeated in November of the same
year, this time shown in one night. The next two ABC showings after that
was the theatrical version. Since the Salkinds would get money for every
minute of footage shown on TV, they crammed in as much footage as possible
for the TV Networks. Richard Donner was not consulted on any of the extended
versions. This was before "Allen Smithee" became a household
name, so perhaps if the helpless director had the chance in those days,
he would have his name removed from the credits.
When the rights reverted back to Warner Bros. in 1985, CBS aired the film
one last time on network television in its theatrical version. Then in
1988, when "Superman" went into syndication (following a play-out
run on pay cable), TV stations were offered the extended cut or the theatrical
cut in 1988. The stations that showed the extended cut edited the second
half to squeeze in commercials and 'What happened yesterday flashbacks'.
In 1994 (following a pay cable reissue and obligatory run on USA Network),
WB offered the "Salkind International Extended Cut" which was
shown in Los Angeles on KCOP in its 3 hour-8 minute version (U.S. fans
commonly call it the "KCOP Version", because it aired domestically
first on KCOP). It was screened on certain stations around America too...for
example, on Saturday, July 27, 1994, an ABC affiliate called WJLA Channel
7 in Washington aired the "KCOP/Salkind International Extended"
version of Superman with three further scenes that will be explained as
we go along. It aired part one from 9:30 PM to 11:30 PM and then broke
for 30 minutes of news and then aired part two from 12:00 AM to 2:00 AM.
This version was also shown in other parts of the world, but still remains
unseen by a large number of fans.
The extended version of Superman has never been broadcast in England.
The first showing of the theatrical version on UK TV appeared on 4th Jan
1983 on ITV. In the mid-eighties 1985 RTE (Ireland) television aired the
extended versions of Superman 1 and 2 in one night. It ran from roughly
3 o'clock 'til 9 o'clock including the odd commercial and a break for
the 6.00 news. The quality of the extended version is inferior to the
home video release because it was mastered in 16mm (using the "film
chain system") and a mono sound mix done as TV was not yet broadcasting
in stereo. This has been the only available format for the extended version
but home video releases have been mastered from the 35mm elements and
in stereo.
In 2000, director Richard Donner prepared an entirely new "special
edition" using 8 of the 45 additional minutes restored to the context
of the film. This 151-minute "special edition" was released
in the summer of 2001."
If a 3 hour cut was presented on the DVD, Richard
Donner would've removed his credit
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