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It began as an esoteric dream in 1998. It's reality in 2006.
The first time in film history, a director who was fired and replaced, returned to complete the film 26 years later. Allowing some concessions including utilising some of the replacement director's footage and music from the original production, the circle is now complete.
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SUPERMAN II - THE RICHARD DONNER CUT DHARMESH'S VERDICT How I learned to stop worrying and love the Donner Cut. I know there's been puzzlement as to why I haven't discussed the Donner Cut in any detail or even indicated that I would even review it since the release date - well, I finally have put pen to paper after viewing it four times: Once in L.A.; once in the privacy of my own home; twice with a friend. This is my verdict. When I first watched the film at Warners, the presentation was akin to
that of an electronic store set-up. After the presentation I was quite bemused, a lot of head scratching about the film itself - I was extremely disappointed. Upto this point, I hadn't seen the Lester cut in a number of years, even though it's a good film, there are too many technical issues, and having recently re-visited it, the seams and joins are even more evident and off-putting. I think Lester did a good job given the mandate but Superman 2 belongs to Donner's authorship. Lester was always going to have that 'I'm looking into the Superman world as a cynic' whereas Dick was immersed in that world as a romanticist. Both valid storytelling techniques but in this instance, Superman II is Dick's film and Mankiewicz's re-conception, and it fulfills the promise of the first one. Where was I? I didn't like the Donner Cut. Let me explain, I had high expectations, and they were not met. I thought some of it was very sloppily edited. Music edits were a mess and some of the acting was sub-par. It's not what I had envisaged. I received a few reviews during the summer which may have influenced the way I watched it. Although I rarely watch the Lester version, I know the film, so that was playing on my mind - is it a fair comparison? From an acting POV, no because Dick would've reshot. What about story and concept? Yes, I think it's a fairer comparison. I didn't come away hating it, some of the scenes were stunning - it
was some of the editorial decisions which left me perplexed. Was I blaming
Michael? No, firstly, two film-makers and an editor were locked away in
the editing booth; can you imagine that all three may have different ideas
on the presentation of the footage shot in 1977? Dick and Tom are quite
similar in style and then Michael, who professed that he's not a Superman
expert but nevertheless enjoys the films, thinks a little differently
on certain issues. Michael never stuttered, he was confident in his decisions.
The other issue is budget, it was small, and so it was a compromise. Then
there's time, I got the sense that it was rushed.
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